- #Deus ex mankind divided a criminal past no dvd movie#
- #Deus ex mankind divided a criminal past no dvd series#
#Deus ex mankind divided a criminal past no dvd movie#
Newly arrived from America, Oliver (Armie Hammer) is tall, fair, and handsome, catching the eye of local young women (“What a movie star!”) but also of Elio. Is he an archaeologist? If so, why does he have a philologist’s interest in the roots of words? Each summer, he retains a younger academic to assist him for six weeks. How Professor Perlman can afford to live here on a scholar’s pay is as unclear as his academic discipline. The lifestyle is as sensual as the gorgeous setting, with just a patina of hedonism. Life here is languid, cultured, and cosmopolitan: There’s reading, music, apricot juice fresh from a private orchard, multilingual conversations (they glide effortlessly between French, Italian, and English, with Elio’s mother reading in German), some philological jousting to pass the time, playing no less than Bach on the piano for relaxation, bicycling to town, and swimming in the nearby river. (It’s no coincidence that the screenplay is by James Ivory.) It’s 1983, and Elio (Timothée Chalamot), age 17, lives with his parents (Michael Stuhlbarg and Amira Casar) in a villa in the Italian countryside. “Call Me by Your Name” (Italy/France/Brazil/USA, 2017) (B): Here’s a story of first love, involving a same-sex relationship, that in many ways resembles a contemporary cousin of a lush and languorous Merchant-Ivory period piece. For ages 18+ only: A lot of very coarse language very brief nudity and some violence (primarily domestic violence). The Blu-ray has a full-length commentary by the film’s director. Allison Janney won Best Supporting Actress for this role at the Academy Awards (where the film was also nominated for Best Actress and Editing), BAFTA, the Screen Actors Guild, and the Golden Globes. The darkly satiric tone of the film won’t be for all tastes. And Sebastian Stan’s Jeff Gillooly seems to have real affection for Tonya, when he’s not hitting her. Julianne Nicholson also makes an impression as Tonya’s coach she’s demure, ladylike, and classy – the very things that the Hardings are not.
Accordingly, there’s some pathos to be found here – and there’s no denying the audaciousness of its two chief female performers. Margot Robbie in “I, Tonya” (courtesy of VVS Films). Then I was just a punch line.” If her life is squalid or coarse, it’s more a factor of nurture than of nature – with an abusive mother succeeded in her life by an abusive But Tonya does manage to elicit our sympathy: “I was loved for a minute, then I was hated. The result feels a tad oppressive under the unremitting weight of its roll-call of ‘deplorables.’ It’s often hard to like any of these people. Trouble is: she’s looked down upon by the judges as too rough and unrefined she doesn’t fit the image, even if she can skate circles around most of the competition. She may be from the wrong side of the proverbial tracks, but she takes to figure skating like a natural. The film’s Tonya Harding (Australian actress Margot Robbie, who also co-produced the film) is abandoned by her father as a child and left to the not-so-tender mercies of an emotionally abusive mother. The story is replete with ‘white-trash’ characters: They are as coarse in their values at times as they are in their witheringly foul-mouthed talk. Nice gets you shit!” Tonya gets no kindness or compassion (or, seemingly, love) from her tough-as-nails mother. That’s the sacrifice a mother makes! I wish I’d had a mother like me instead of nice.
And prodding seems the right word for it: if the caustic LaVona (Allison Janney) had a cattle-prod handy, she’d probably use it: “I made you a champion, knowing you’d hate me for it. As depicted in the movie, she’s born into a tough working-class milieu, with a cold and sometimes cruel stage-mother prodding her on to skating success. “I, Tonya” ( USA, 2017) (B+): How closely this darkly comedic take on the life of Tonya Harding follows the real story of talented, but infamous, figure skater is unclear. Join our friendly, interesting, and welcoming group of film-lovers. They're the sort of films you'd ordinarily have to travel into downtown Toronto to see, including some North American premieres! Each week's film is introduced by Artsforum Magazine's film critic John Arkelian, who also leads an informal discussion after each film. We have films to stir your imagination, engage your emotions, and make you think.
#Deus ex mankind divided a criminal past no dvd series#